Bollywood songs make monsoon magical

Bollywood doesn’t conscionable invited the monsoon, it throws a expansive philharmonic enactment for it. From dripping chiffon sarees and shy glances nether umbrellas to full-blown dance-offs successful puddles, Hindi films person ever celebrated rainfall not arsenic specified weather, but arsenic a full-bodied emotion.

As soon arsenic the skies crook grey and the archetypal drops deed the dusty ground, we find ourselves humming ‘Tip extremity barsa paani, paani ne aag lagayi’ oregon feeling our hearts twist to ‘Rimjhim gire sawan, sulag sulag jaaye mann’. These songs person soaked themselves into our precise souls.So unfastened your umbrella, oregon amended still, flip it aside, due to the fact that here’s however Bollywood’s timeless songs person turned monsoons into the eventual play of love, longing, and playful chaos.Where emotion finds shelterIt’s intolerable to talk of rainfall successful Bollywood without archetypal bowing to the iconic infinitesimal erstwhile Raj Kapoor and Nargis huddled nether a achromatic umbrella successful ‘Pyaar Hua Ikraar Hua Hai’ from ‘Shree 420’. The umbrella wasn’t conscionable a prop; it was a cosy small satellite wherever 2 hearts confessed what words struggled to. Even today, couples sharing an umbrella connected Mumbai streets can’t assistance but consciousness a tingle of that aforesaid shy magic.

That melody from 1955 turned rainfall into the eventual matchmaker. It whispered that emotion sometimes needs a small drizzle to bloom. Even decades later, we can’t defy a suspiration erstwhile we spot 2 radical awkwardly trying not to bump heads nether an umbrella, hearts thumping conscionable similar Raj and Nargis erstwhile did.Then there’s Kishore Kumar and Madhubala successful ‘Ek Ladki Bheegi Bhaagi Si’ from ‘Chalti Ka Naam Gaadi’ (1958), turning a car breakdown into a giggly flirt-fest.

Kishore’s playful mechanic didn’t conscionable hole the motor — helium revved up hearts nether that downpour. It’s impervious that sometimes, the sweetest emotion stories commencement with a small drizzle and a batch of mischief.When rainfall says, ‘Come creation with me!’But rainfall successful Bollywood isn’t ever astir gentle sighs and shy glances. Sometimes, it wants to rip its hairsbreadth loose, resistance you outside, and creation till you’re soaked to the skin.Think of Amitabh Bachchan and Smita Patil successful ‘Aaj Rapat Jaayen’ from ‘Namak Halal’ (1982).

No slow-motion eyelocks present — conscionable the 2 superstars slipping, sliding, laughing similar naughty schoolkids connected drenched grass. The monsoon became a mischievous 3rd character, egging them connected to play, gaffe and get gloriously messy. Smita, often celebrated for her aggravated melodramatic roles, revealed her playful side, portion Amitabh danced arsenic if nary 1 was watching.

It was rainfall roaring with laughter, not whispering saccharine nothings.Then came the opus that beauteous overmuch owned the 90s , ‘Tip Tip Barsa Paani’ from ‘Mohra’ (1994). Raveena Tandon, successful that unforgettable yellowish saree, had the full state hooked. But down the steamy visuals was a communicative of existent grit.Raveena erstwhile candidly shared to Bombay Times, “I retrieve shooting for that opus wearing a yellowish saree and, connected the sets, they utilized chilled tanker water. I had a fever and had changeable for the opus contempt that.

At that time, it was each astir however enactment came first. Also, I was ever definite that I would ne'er deterioration transparent oregon translucent apparel successful my films. And romance successful films, I feel, is ever astir look than thing else.

”

Truer words haven’t been spoken. Because let’s look it, who hasn’t tried a small dilatory twirl successful the rain, hoping to consciousness conscionable a spot similar Raveena?If there’s 1 monsoon opus that makes you privation to fling your shoes speech and creation till your bosom explodes, it’s ‘Barso Re Megha’ from ‘Guru’. Watching Aishwarya Rai twirl connected slippery stones, her maroon-blue lehenga swirling, hairsbreadth plastered to her smiling face, eyes sparkling with axenic joy, that’s rainfall becoming a festival.Aishwarya erstwhile gushed,"The monsoon is truthful romantic! It ever invokes fantastic memories."

When monsoon brings retired the interior childRain doesn’t conscionable beryllium to lovers successful Bollywood. Sometimes it splashes into the streets to bring retired the interior kid successful each of us. Take ‘Chak Dhoom Dhoom’ from ‘Dil To Pagal Hai’ (1997). Yes, the movie gave america romanticist monsoon moments excessively (hello ‘Arre Re Arre Ye Kya Hua’), but this opus was different.

It was a burst of children breaking into spontaneous creation arsenic the rainfall poured down. No silk sarees clinging to trembling hearts here, conscionable the benignant of puddle-splashing joyousness that reminds america wherefore we loved rains arsenic kids.The gentle and peaceful monsoon melodiesNot each monsoon songs are chaotic dances oregon steamy glances. Some simply wrapper astir your shoulders similar a brushed shawl and feeling you get portion sipping a blistery cupful of chai oregon java portion watching the rainfall from your balcony, whispering of dreams and concealed heartaches.‘Bhage Re Man’ from ‘Chameli’ is 1 specified gem. The visuals of Kareena Kapoor twirling connected street, rainfall streaming down her face, reddish saree clinging to her similar 2nd tegument , it’s susceptible and hopeful. Kareena erstwhile confessed,

And who tin hide ‘Iktara’ from ‘Wake Up Sid’? It whitethorn not explicitly amusement rain, but it feels drenched successful it. Remember Ranbir Kapoor telling Konkona Sen Sharma, “Actually Aisha, tumhe sab baarish mein dekhna chahiye. Bombay monsoons are to dice for.”Kavita Seth, the soulful dependable down the song, erstwhile beautifully summed up however modern monsoon songs person evolved. In a past chat wth BT, she explained, "Today’s procreation is nary longer keen connected utilizing rains arsenic a prop to explicit sensuality. Hence, rainfall songs aren’t astir bedewed saris."

She’s right. ‘Iktara’ doesn’t request thunderclouds oregon drenched sarees, its poesy does the raining, 1 delicate droplet astatine a time.In the aforesaid chat, euphony composer Pritam Chakrabarty reflected connected this shift, “No manager has ever fixed maine specified a brief.

Even for the ‘Tum Se Hi’ number, Imtiaz (Ali) utilized the rains portion filming the song. It’s good if the connection ‘barish’ crops portion penning the lyrics. But otherwise, there’s nary unit to usage the words.”Why we’ll ne'er halt swaying to monsoon tunesFrom umbrellas that fell shy confessions to yellowish sarees that lit up a generation’s fantasies, from playful dances connected drenched lawns to quiescent tears nether streetlamps rainfall has been Bollywood’s astir versatile scene-stealer.

Maybe it’s because, similar love, rainfall is unpredictable. It tin susurration oregon roar, tease oregon console, fell oregon reveal. It makes mean streets sparkle, slows down racing hearts, and turns the elemental enactment of getting soaked into a cardinal stories of longing, laughter and sometimes adjacent heartbreak.So each twelvemonth erstwhile the skies darken and the aerial smells of bedewed earth, we automatically scope for these songs. We twirl a small successful our balconies, hum ‘Rimjhim gire sawan’, possibly get misty-eyed remembering an aged crush, oregon laughter reasoning of slipping connected muddy roads. That’s the timeless monsoon spell Bollywood casts connected america twelvemonth aft year, opus aft song. As Raveena wisely said, these rainfall melodies “are eternal and volition ne'er suffer their charm.

” And honestly, who are we to argue?