When Rajesh Khanna defended RD Burman’s legacy

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 ‘Pancham ke geeton ko kharab mat karo’

Veteran playback vocalist Sudesh Bhosale precocious opened up astir an incidental that revealed precocious superstar Rajesh Khanna’s unwavering respect for legendary composer R.D. Burman."It was a beauteous evening. Balu ji had organised it"Speaking connected Radio Nasha, vocalist Sudesh Bhosale remembered an lawsuit successful Hyderabad called Ye Shaam Mastani, wherever helium had been invited to execute Kishore Kumar's songs.

“It was a beauteous evening. Balu ji had organised it, and I was the lone vocalist from Mumbai. The remainder of the artists were from the South,” helium recalled.Among the main guests that nighttime were lyricist Gulzar and Rajesh Khanna himself. “When Kaka (Rajesh Khanna) came connected signifier to beryllium felicitated, I retrieve intelligibly what helium said,” Sudesh shared. “He looked astatine the assemblage and said, ‘Pancham ke geeton ko badlo mat… unhein kharab mat karo’.”Remix Culture Lacks Respect, Says SudeshSudesh Bhosale didn’t halt there. He utilized the infinitesimal to item however Bollywood’s existent remix inclination often erases the bequest of archetypal composers. He pointed retired however galore modern producers acquisition rights but neglect to springiness credit.Referring to the deed remix Aankh Marey, Bhosale said, “They called Viju Shah and told him we’re utilizing your father’s song. He simply asked for credit.

But they replied, ‘We’ve bought the rights—we don’t beryllium credit.’ That’s the problem.”‘Original Creators Deserve Recognition’Bhosale besides recounted a disturbing infinitesimal from an awards function. “I was sitting adjacent to Anandji and his wife. On stage, a new-age euphony manager was receiving an grant for Apni Toh Jaise Taise—a opus Anandji had composed. No notation of the archetypal creators. It hurt.”He ended with a reminder: “It’s good to beryllium inspired. But ne'er hide who created the euphony successful the archetypal place. They merit that respect.”

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